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Tsang Kin-Wah (born in 1976, Shantou, China; lives and works in Hong Kong) uses found footage and text extensively in his works, which are manipulated with computer technology for creating immersive installations and video projections. Recent solo exhibitions include Onsite/offsite: Tsang Kin-Wah, at Vancouver Art Gallery, Canada (2017); NOTHING, at M+ Pavilion, Hong Kong (2016); Tsang Kin-Wah: The Infinite Nothing, at 56th Venice Biennale, Italy (2015); Ecce Homo Trilogy II, at Thurgau Art Museum, Switzerland (2015). Tsang has also participated in numerous group exhibitions such as Istanbul Biennial (2017), Shenzhen Sculpture Biennale (2012), Asian Art Biennial (2011), Aichi Triennale (2010), Biennale of Sydney (2010), Biennale de Lyon (2009). His works can be found in museums, including, M+ Museum of Visual Culture (Hong Kong), Mori Art Museum (Tokyo), Solomon R. Guggenheim Museum (New York), etc. Tsang represented Hong Kong in 56th Venice Biennale in 2015.
Advantage always comes with disadvantage and there are two sides to every coin.
You need their money but at the same time, you hate to deal with these people when an overwhelming number of them do not know how to behave properly, disturb your daily life and frighten you. It is a painful experience and dilemma that people in most popular tourist cities have to face everyday.